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History and Anecdotes of Bank Note Forgeries


Viotti’s division of violin-playing into great classes – good playing and bad playing – is applicable to Bank note making. The processes employed in manufacturing good Bank notes have been often described: we shall now cover a few pages with a faint outline of the various acts, stratagems, and contrivances employed in concocting bad Bank notes. The picture can not be drawn with very distinct or strong markings. The tableaux from which it is copied are so intertwisted and complicated with clever, slippery, ingenious scoundrelism, that a finished chart of it would be worse than morally displeasing: it would be tedious.

All arts require time and experience for their development. When any thing great is to be done, first attempts are nearly always failures. The first Bank note forgery was no exception to this rale, and its story has a spice of romance in it. The affair has never been circumstantially told; but some research enables us to detail it:

In the month of August, 1757, a gentleman living in the neighborhood of… Read More